In Portuguese, the expression ‘tipo passe’ refers to photographs used for identity documents. Edson Chagas produces portraits that challenge the neutrality of this type of photography but chooses to hide the faces of individuals behind African masks. These traditional masks, like the models’ western clothes, were bought by the Angolan artist in local markets. By combining these two types of objects, Tipo Passe blurs the boundaries: the historical ritual functions of the masks clash with the everyday banality of the ‘suit-and-tie’. In this battle between past and present, the mask rediscovers its performative function, weaving links between epochs, traditions, populations and continents. Individuality is erased, while new individuals make their appearance.

Exhibition layout and design by Images Vevey and the artist
With the support of Ville de La Tour-de-Peilz

Source: Images Vevey