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April Bey (b. 1987) grew up in the Bahamas (New Providence) and now resides and works in Los Angeles as a visual artist and art educator. She is currently a tenured professor at Glendale College.
Bey’s interdisciplinary artwork is an introspective and social critique of American and Bahamian culture, feminism, generational theory, social media, post-colonialism Speculative futurism/surrealism and Blerd culture.
Bey’s two-dimensional mixed media works and installations are from her ongoing Atlantica series. Bey incorporates fur, glitter, vinyl and woven textiles—materials rich in queerness—to craft icons around the images of real-life figures from her community.
Her work has been the subject of solo exhibitions at The Nevada Museum of Art, Reno NV; The Museum of Art and History, Lancaster, CA; The California African American Museum, Los Angeles, CA, among others. It has been included in group exhibitions at The Modern Fort Worth, Fort Worth, TX; The Southwestern Center for Contemporary Art, NC; Jordan Schnitzer Museum of Art, Portland State University, Portland, OR; The Getty Museum, Los Angeles, CA; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; Virginia Museum of Contemporary Art, Virginia Beach, VA; The National Art Gallery of The Bahamas, Nassau, Bahamas; New Orleans African American Museum, New Orleans, LA, among others. Her work is in the public collections of California African American Museum, Los Angeles, CA; Center for Contemporary Printmaking, Norwalk, CT; Escalette Collection, Chapman University, Orange, CA; Los Angeles County Museum of Art, Los Angeles, CA; National Art Gallery of the Bahamas, Nassau, The Bahamas; Museum of Art and History, Lancaster, CA; Fullerton College Art Gallery, Fullerton, CA, among others. She is represented by Tern Gallery in Nassau, Bahamas and Vielmetter Los Angeles.
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