Article in Focus: The ongoing fight to replace racist monuments in the US: ‘requires a lot of perseverance’

After nearly half a decade, Vinnie Bagwell, a self-taught sculptor-artist, is still waiting for the million dollars that the New York City department of cultural affairs promised for her to work on monument Victory Beyond Sims, after winning the artist competition to replace the monument of Dr J Marion Sims in 2020.

After nearly half a decade, Vinnie Bagwell, a self-taught sculptor-artist, is still waiting for the million dollars that the New York City department of cultural affairs promised for her to work on monument Victory Beyond Sims, after winning the artist competition to replace the monument of Dr J Marion Sims in 2020.

“It just requires a lot of diligence and perseverance,” she said to the Guardian. “A lot of times, people don’t realize how important and impactful art in public places is until they see it.”

Sims was a 19th-century gynecologist known for experimenting on 12 enslaved and poor immigrant women without consent. City officials removed his monument in April 2018 after a unanimous vote by the Public Design Commission.

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Bagwell will be the first Black woman to have a memorial on Fifth Avenue. Bagwell began sculpting in 1993 and created the First Lady of Jazz in Yonkers, the first public artwork made by a contemporary African American woman commissioned by a municipality in the United States.

Her 9ft (2.7-meter) monument is of a Black woman with 14ft wings, only the second Black Angel statue to be visible publicly in the US.

The shape of Africa cut away from the woman’s heart symbolizes the enslavement of 12 million people over hundreds of years. On her right side the braille will read “My Soul looks back and wonders how I got over!” and on the left it will read “Primum non nocere!” (First do no harm).

Read the full article here: The Guardian

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